Woman Up!
WomanUp! podcast speaks to and about artists, academics, writers and activists, midwives, carers and more all (m)others and all womxn. Those challenging ideas and ideals, questioning assumptions and provoking social change.
Originally created under the Desperate Artwives collective, Woman Up! is a podcast dedicated to creating a living archive of these people and this work, that anyone can access. We find those trying to change current structures founded on biases that have to do with gender, caring responsibilities, race, and the integration of the private and the public space. We have conversations about lived experiences, achievements, and aspirations and we will share campaigns and awareness around crucial intersectional struggles and subjects.
Series 4 included 6 episodes produced in partnership with the innovative Procreate ProjectWoman Up! is produced by Artists Amy Dignam and Susan Merrick
Special thanks:
Althea Greenan and The Women’s Art Library at Goldsmiths College for providing us space and equipment to record for S1 and S2 as well as support for the project;
Rosemary Schonfeld and OVA for the use of their track Early in the Evening, and to the Women’s Liberation Music Archive for storing such inspirational music that we can then find!
Mike Dignam for remixing the track
Woman Up!
Woman Up! Series 4 Episode 7 - Syowia Kyambi 'Embracing the Borderlessness of Space Holding'
Syowia Kyambi is an interdisciplinary artist and curator whose media spans across photography, video, drawing, sound, sculpture and performance installation. She holds an MFA from Transart Institute (2020) and a BFA from the School of the Art Institute of Chicago (2002). Syowia is based in Nairobi and of Kenyan/German origin.
In Kyambi’s artistic practice history collapses into the contemporary through the interventions of mischievous and disruptive interlocutory agents who interrogate the legacy of hurt inflicted by colonial projects that still frame the wider political conjuncture of now. The work is messy, complex and uneasy requiring its viewers and participants to bear witness to an embodiment of collective experiences, and a constant search for links between the now and the morphed now that is encapsulated in her work while asking important questions about what is remembered, what is archived, and how we see the world anew.
She is one of the 4 members of the “What the hELL she doin!” collective. The members are all female-identifying artists from across the African continent and its Diasporas. Common to their respective practices are touchstones, which include but are not limited to: the body and what gets embodied, remembering and dismembering, standing and leaving, invisible creolization, and labor as geography.