Woman Up!
WomanUp! podcast speaks to and about artists, academics, writers and activists, midwives, carers and more all (m)others and all womxn. Those challenging ideas and ideals, questioning assumptions and provoking social change.
Originally created under the Desperate Artwives collective, Woman Up! is a podcast dedicated to creating a living archive of these people and this work, that anyone can access. We find those trying to change current structures founded on biases that have to do with gender, caring responsibilities, race, and the integration of the private and the public space. We have conversations about lived experiences, achievements, and aspirations and we will share campaigns and awareness around crucial intersectional struggles and subjects.
Series 4 included 6 episodes produced in partnership with the innovative Procreate ProjectWoman Up! is produced by Artists Amy Dignam and Susan Merrick
Special thanks:
Althea Greenan and The Women’s Art Library at Goldsmiths College for providing us space and equipment to record for S1 and S2 as well as support for the project;
Rosemary Schonfeld and OVA for the use of their track Early in the Evening, and to the Women’s Liberation Music Archive for storing such inspirational music that we can then find!
Mike Dignam for remixing the track
Woman Up!
Woman Up! On Tour Tate Britain 'Women In Revolt' - Rosy Martin
This is our last Woman Up! On Tour episode for 2023.
We would like to take this opportunity to send a massive thanks to all organizations that worked with us this year and all the amazing artists that shared their work with us, reminding us of what's possible to create and achieve even when challenged.
Thanks to Jess Gell for her amazing video skills and acegrams for making it all possible.
And lastly THANK YOU! Thank you to all our incredible listeners, you've been an amazing support and we appreciate you all for taking the time to hear us out!
We wish you all a peaceful and happy transition into the new year
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In this episode we talk to wonderful artist Rosy Martin.
Rosy Martin (born London 1946) is an artist-photographer, psychological-therapist, workshop leader, lecturer and writer. She explores the relationships between photography, memory, identities and unconscious processes using self-portraiture, still life photography and video.
Starting in 1983, working with the late Jo Spence, she evolved and developed a new photographic practice- phototherapy - incorporating re-enactments. Through embodiment, they explored the psychic and social construction of identities within the drama of the everyday. My ‘therapeutic gaze’ provided a safe space for exploring one’s own stories in profoundly innovative ways.
Exhibiting Internationally and publishing widely since 1985, she has investigated issues including gender, sexualities, ageing, class, location, shame and family dynamics. Her photographic practice is grounded in research, the subjects arise from personal lived experiences, yet communicate to a broad audience. For example in ‘Transforming the suit: what does a lesbian look like?’ 1987 she played with different historical and contemporary stereotypes to challenge simplistic assumptions.
She used still life and video in ‘Too close to home?’ to explore the experiences of pre-bereavement, loss, grief and reparation by focusing upon her childhood home as a metaphor/metonym for both her father and mother, anticipating and mourning their deaths. She researched working-class suburban life inspired by this semi-detached house, almost unchanged since the 1930s. In ‘The end of the line’ she photographed through tears a soft and melancholy goodbye to her roots.
On turning fifty, her focus became contesting the dominant representations of ageing women, a subject she has returned to in her seventies. Using humour, play and parody the ageing body is reconfigured as present, joyous and defiant.
Martin has run intensive experiential phototherapy workshops and given lectures in Universities and Galleries throughout Britain, the USA, Canada, Eire and Finland. She also ran workshops in community settings, including a women's prison, projects with survivors of sexual abuse and school-based projects on digital identities.